The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. Well suited for church meditations or school programs or recital encores. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
The progression is from Bach’s Prelude No. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. Charles Gounod composed a famous version of the Ave Maria.
Well suited for church meditations or school programs or recital encores.Īve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede.
If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano.
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